10 February 2010

The Four Symbols, Five Cardinal Directions, and Four Legendary Beasts

The Four Symbols (Chinese: 四象; pinyin: Sì Xiàng) are four mythological creatures in the Chinese constellations. They are:

  • Azure Dragon of the East (青龍)
  • Vermillion Bird of the South (朱雀)
  • White Tiger of the West (白虎)
  • Black Tortoise of the North (玄武)

Each one of them represents a direction and a season of the year, and each has its own individual characteristics and origins. They have been portrayed in many historical Chinese and Korean myths and fiction, and also appear in many modern Japanese comic books and animation.

These Four Symbols were given human names after Daoism became popular. Azure Dragon has the name Meng Zhang 孟章; Vermilion Bird is Ling Guang 陵光; White Tiger is Jian Bing 監兵; Black Tortoise is Zhi Ming 執明.

A Han-dynasty pottery tile emblematically representing the 5 cardinal directions
Each of these mythological creatures has also been synthesized into the 5 element system:

  • Azure Dragon of the East (青龍): Wood
  • Vermilion Bird of the South (朱雀): Fire
  • White Tiger of the West (白虎): Metal
  • Black Tortoise of the North (玄武): Water
  • Additionally, there is a fifth legendary beast, Huáng-lóng (黃龍), or the Yellow Dragon of the Center. The cardinal direction associated with this animal is "centre," and its element is Earth.

The four legendary beasts (excluding Huáng-lóng; see above) represent a season each. The seasons they represent are as follows:

  • Azure Dragon of the East (青龍): Spring
  • Vermilion Bird of the South (朱雀): Summer
  • White Tiger of the West (白虎): Autumn/Fall
  • Black Tortoise of the North (玄武): Winter

The Azure Dragon is one of the Four Symbols of the Chinese constellations. It is sometimes called the Azure Dragon of the East (simplified Chinese: 东方青龙; traditional Chinese: 東方青龍; pinyin: Dōng Fāng Qīng Lóng, or sometimes simplified Chinese: 东方苍龙; traditional Chinese: 東方蒼龍; pinyin: Dōng Fāng Cāng Lóng), and it is known as Seiryuu in Japan and Cheongryong in Korea. It represents the east and the spring season. It should not be confused with the mythological yellow dragon that is associated with the Emperor of China.

Like the other Four Symbols, the Azure Dragon corresponds to seven "mansions", or positions, of the moon.

  • Horn (Chinese: 角; pinyin: Jiăo)
  • Neck (Chinese: 亢; pinyin: Kàng)
  • Root (Chinese: 氐; pinyin: Dĭ)
  • Room (Chinese: 房; pinyin: Fáng)
  • Heart (Chinese: 心; pinyin: Xīn)
  • Tail (Chinese: 尾; pinyin: Wěi)
  • Winnowing Basket (Chinese: 箕; pinyin: Jī)

In the novel Shuo Tang Yanyi (Tales of Tang Dynasty), the reincarnation of the White Tiger's Star is said to be Li Shimin's general Luo Cheng (羅 成 / 罗 成) and the reincarnation of the Azure Dragon's Star is said to be the rebellious general Dan Xiongxin (單 雄信 / 单 雄信). They two are sworn brothers of Qin Shubao (秦 叔寶 / 秦叔宝), Cheng Zhijie (程 知節 / 程知节) and Yuchi Jingde (尉遲 敬德 / 尉迟敬德). Their souls after death are said to possess the body of the new heroes of the Tang Dynasty and the Liao Dynasty, Xue Rengui (薛 仁貴 / 薛仁贵) and He Suwen (郃 苏文)

In some legends of the Tang Dynasty's general Xue Rengui, he's said the reincarnation of the White Tiger's Star. And his archenemy, Liao Dynasty general He Suwen is the reincarnation of the Azure Dragon's Star.

In Japan, the Azure Dragon (Seiryuu) is one of the four guardian spirits of cities and is said to protect the city of Kyoto on the east. The west is protected by the White Tiger, the north is protected by the Black Tortoise, the south is protected by the Vermilion Bird, and the center is protected by the Yellow Dragon. In Kyoto there are temples dedicated to each of these guardian spirits. The Azure Dragon is represented in the Kiyomizu Temple in eastern Kyoto. Before the entrance of the temple there is a statue of the dragon which is said to drink from the waterfall within the temple complex at nighttime. Therefore each year a ceremony is held to worship the dragon of the east.

In 1983, the Kitora Tomb was found in the village of Asuka. All four guardians were painted on the walls (in the corresponding directions) and a system of the constellations was painted on the ceiling. This is one of the few ancient records of the four guardians.

The Vermilion bird is one of the Four Symbols of the Chinese constellations. According to Wu Xing, the Taoist five-elemental system, it represents the fire-element, the direction south, and the season summer correspondingly. Thus it is sometimes called the Vermilion bird of the South (南方朱雀, Nán Fāng Zhū Què) and it is also known as Suzaku in Japan and Jujak in Korea. It is often mistaken for the Fenghuang due to similarities in appearance, but the two are different creatures.[citation needed] The Fenghuang (Similar to the phoenix in western mythologies) are legendary ruler of birds associated with the Chinese Empress in the same way the dragon is associated with the Emperor, while the Vermilion Bird is a mythological spirit creature of the Chinese constellations.

Like the other Four Symbols, the Vermilion Bird corresponds to seven "mansions", or positions, of the moon.

  • Well (Chinese: 井; pinyin: Jǐng)
  • Ghost (Chinese: 鬼; pinyin: Guǐ)
  • Willow (Chinese: 柳; pinyin: Liǔ)
  • Star (Chinese: 星; pinyin: Xīng)
  • Extended Net (Chinese: 張; pinyin: Zhāng)
  • Wings (Chinese: 翼; pinyin: Yì)
  • Chariot (Chinese: 軫; pinyin: Zhěn)

The Vermilion bird is an elegant and noble bird in both appearance and behavior, it is very selective in what it eats and where it perches, with its feathers in many different hues of reddish orange. The Vermilion bird is often associated with the mythical Phoenix due to their associations with fire.

The White Tiger is one of the Four Symbols of the Chinese constellations. It is sometimes called the White Tiger of the West (西方白虎, Xī Fāng Bái Hǔ), and is known as Byakko in Japan and Baekho in Korea. It represents the west and the autumn season.

Like the other Four Symbols, the White Tiger corresponds to seven "mansions", or positions, of the moon.

  • Legs (Chinese: 奎; pinyin: Kuí)
  • Bond (Chinese: 婁; pinyin: Lóu)
  • Stomach (Chinese: 胃; pinyin: Wèi)
  • Hairy Head (Chinese: 昴; pinyin: Mǎo)
  • Net (Chinese: 畢; pinyin: Bì)
  • Turtle Beak (Chinese: 觜; pinyin: Zī)
  • Three Stars (Chinese: 參; pinyin: Shēn)

During the Han Dynasty, people believed the tiger to be the king of all beasts. Legend had it that when a tiger reached 500 years old, its tail would turn white. In this way, the white tiger became a kind of mythological creature. It was said that the white tiger would only appear when the emperor ruled with absolute virtue, or if there was peace throughout the world. Because the color white of the Chinese five elements also represents the west, the white tiger thus became a mythological guardian of the west.

In the novel Shuo Tang Yanyi (Tales of Tang Dynasty), the reincarnation of White Tiger's Star is said to be Li Shimin's general Luo Cheng (羅 成) and the reincarnation of Azure Dragon's Star is said to be the rebellious general Dan Xiongxin (單 雄信). They two are sworn brothers of Qin Shubao (秦 叔寶), Cheng Zhijie (程 知節) and Yuchi Jingde (尉遲 敬德). Their souls after death are said to possess the body of the new heroes of Tang Dynasty and Liao Dynasty, Xue Rengui (薛 仁貴) and He Suwen (郃 苏文).

In some legends of the Tang Dynasty's general Xue Rengui, he is said to be the reincarnation of the White Tiger's Star, and his archenemy, the Liao Dynasty's prince He Suwen is the reincarnation of the Azure Dragon's Star.

The Black Tortoise is one of the Four Symbols of the Chinese constellations. The word for "tortoise" was taboo; and the entire entity is not just the tortoise itself, but both the tortoise and the snake. It is sometimes called the Black Warrior of the North (北方玄武, Běi Fāng Xuán Wǔ), and is known as Genbu in Japan and Hyeonmu in Korea. It represents the north and the winter season. Although its name in Chinese, Xuánwǔ, is often translated as Black Tortoise in English, it is usually depicted as both a tortoise and a snake, specifically with the snake coiling around the tortoise.

Like the other Four Symbols, the Black Tortoise corresponds to seven "mansions", or positions, of the moon.

  • Dipper (Chinese: 斗; pinyin: Dǒu)
  • Ox (Chinese: 牛; pinyin: Niú)
  • Girl (Chinese: 女; pinyin: Nǚ)
  • Emptiness (Chinese: 虛; pinyin: Xū)
  • Rooftop (Chinese: 危; pinyin: Wēi)
  • Encampment (Chinese: 室; pinyin: Shì)
  • Wall (Chinese: 壁; pinyin: Bì)

In ancient China, the tortoise and the snake were thought to be spiritual creatures symbolising longevity. During the Han Dynasty, people often wore jade pendants that were in the shape of tortoises. Because of ancient Chinese influence on Japan, honorific titles and badges in Japan often referred to the tortoise or images of tortoises.

In the classic novel, Journey to the West, Xuánwǔ was a king of the north who had two generals serving under him, a "Tortoise General" and a "Snake General." This king had a temple at Wudang Mountains in Hubei, thus there is a "Tortoise Mountain" and a "Snake Mountain" on the opposite sides of a river in Wuhan, the capital of Hubei.

In Taoist legend it was said that Xuánwǔ was the prince of a Chinese Emperor. However, he was not interested in taking the throne, but decided to study in Tao's way. At age 16, he left his parents to search for enlightenment in Tao's way. It was said that he eventually achieved god status and was worshipped as a god of northern sky.

A Xuanwu sculpture from the Yongle Emperor era, from the collection of the Hubei Provincial Museum
Other Chinese legends also speak of how the "Tortoise General" and a "Snake General" came to be. During Xuánwǔ's study to achieve enlightenment and god status he was told that in order to fully achieve god status, he must purge all humanly flesh from his body. Since he was born he had been eating the food of the world, humanly food, therefore his stomach and intestines were still human. Legend told of an event that a god came and changed out his human stomach and intestines for a godly body so he could fully achieve god status. (It was also said that the stomach and intestines that were tossed out became the "Tortoise Mountain" and "Snake Mountain".) The stomach and intestines taken out by the god who did the surgery on Xuánwǔ were said to have taken on the shape of a tortoise (stomach) and a snake (intestines). As many Chinese legends speak of certain animals becoming demons over time as they gain knowledge, that's what the tortoise and snake became, and terrorized people. As Xuánwǔ, now in his god status, heard of this, he came and slayed the demons from his past. However, he did not kill them, as the snake and tortoise demons showed remorse. He let them train under him and atone for their wrong doings, and they became the "Tortoise General" and "Snake General", and they assisted Xuánwǔ with his quests.

According to another source, once Xuánwǔ's had begun study of the way, he discovered that he must purge himself of all his past sins to become a god. He learned to achieve this by washing his stomach and bowels (intestines) in the river. In the washing of his internal organs, his sins melted from them and into the river in a dark, black form. These then formed into a black tortoise and snake who terrorized the people. Once Xuánwǔ learned of this, he returned to conquer the forms of this past sins and subdue them under himself and they became his servants.

Huang Long (黃龍,黄龙 or 黄竜, Yellow Dragon, Mandarin: huang2 long2, Cantonese: wong4 lung4, Japanese: Kōryū or Ōryū, Korean: Hwang-Ryong, Vietnamese: Hoàng Long) is a hornless dragon who once emerged from the River Luo and presented the legendary Emperor Fu Xi with the elements of writing. According to legend, when it appeared before Fu Xi, it filled a hole in the sky made by the monster Gong Gong. Its waking, sleeping and breathing determined day and night, season and weather.

In East Asian culture, there is sometimes a fifth Guardian Beast of the Si Ling. This deity is the guardian of the center and it represents the element earth, the Chinese quintessence, as well as the changing of the seasons.

Huang Long does not appear in Japanese mythology: the fifth element in the Japanese elemental system is Void, so there cannot be an animal representing it. Because of this, Huang Long is often forgotten. However, some consider the Ouryu (Ōryū, yellow dragon) as the Japanese counterpart of Huang Long since they share some similarities.

At the end of his reign, the first legendary Emperor Huang Di was said to have been immortalized into a dragon that resembled his emblem, and ascended to Heaven. Since the Chinese consider Huang Di as their ancestor, they sometimes refer to themselves as "the descendants of the dragon". This legend also contributed towards the use of the Chinese dragon as a symbol of imperial power.

09 February 2010

The Nine Choirs of Angels



Identify the Seraphim, the highest order of the nine choirs of angels, by their intense and perpetual adoration of God. They surround the throne of God, continually singing, "Holy, Holy, Holy is the God of Hosts!" They're said to be so bright that humans cannot even look at them. Lucifer was a seraphim before the rebellion leading to his fall.

Note that the name "Cherubim," which means "fullness of wisdom" is the description given to the second of the choirs of angels. These continually praise God and are regarded as our intercessors before God's throne. They look over God's plan for all mankind and honor God's providence.

Look to the Thrones, the choir of angels who are the symbol of God's divine justice. This third choir is known as the "many-eyed ones," and are said to be covered with eyes when viewed by men. They are known for their humility and submission to God's will.

Think of the Dominions, the fourth choir of angels, as the "Angels of Leadership." Theirs is the position of authority, regulating and governing the lesser choirs and setting before them their duties. They shed light on God's will for mankind.

Ponder on the fifth choir of angels when contemplating the sun, moon and stars. The Virtues act on the orders of the Dominions and represent the power of God. They perform miracles, govern and watch over all nations and cities, elements and seasons.

Raise your eyes to the Powers to fight any evil opposing the will of God. The sixth choir of angels is warriors who protect mankind from the devil and all things attempting to counteract the will of God. We can pray for their intercession when confronted with spiritual warfare.

Consider the Principalities, seventh in the hierarchy of angels, the symbol of Christ's reign over all events in and around the world. They watch over the earthly principalities and take care of their needs and intercede on behalf of nations.

Recognize the Archangels as mentioned in the Bible. This choir of angels, the eighth, is the messengers from God directly to mankind. We know of the angel Gabriel, known as God's messenger, St. Michael, who threw Lucifer out of heaven and is a powerful ally in the war against Satan. Raphael is known as the angel of happy meetings.

Pray to your guardian angel, who is personally assigned to you by God, to stand before the throne of God and present your petitions. The ninth choir of angels is the most well known of the angels and are mentioned throughout the Bible and Bible history. They interact with all of the other choirs of angels at all times. They love us and take pity on our frailty.

08 February 2010

The Seven Archangels

Archangel is a term meaning an angel of high rank. The word archangel derives from the Greek αρχάγγελος archangelos. Archangels are found in a number of religious traditions, including Christianity, Wicca, Islam, Judaism, and Zoroastrianism. Michael is the only archangel named in the Bible as recognized by both Jews and Christians. Gabriel, named in Luke, is considered to be an archangel, as are Raphael (mentioned in the Book of Tobit) and Uriel (mentioned in the non-canonical Book of Enoch). The Book of Tobit is included in the Catholic Canon of the Bible, as well as in the Orthodox Septuagint; however, this book is considered apocryphal by some Protestants. The archangels Michael, Gabriel and Raphael are venerated in the Roman Catholic Church with a feast on 29 September. The named Archangels in Islam are Gabriel, Michael, Raphael and Azrael. The Eastern Orthodoxy tradition venerates Michael, Gabriel, Raphael, Uriel, Selaphiel, Jegudiel, and Barachiel.

The Hebrew Bible uses the terms מלאכי אלוהים (melakh Elohim; Angels of God), מלאכי יהוה (melakh Adonai; Angels of the Lord), בני אלוהים (b'nai elohim; sons of God) and הקדושים (ha-qodeshim; the holy ones) to refer to beings traditionally interpreted as angelic messengers. Other terms are used in later texts, such as העליונים (ha-olinim, the upper ones, or the Ultimate ones). Indeed, angels are uncommon except in later works like Daniel, though they are mentioned briefly in the stories of Jacob (who, according to several interpretations, wrestled with an angel) and Lot (who was warned by angels of the impending destruction of the cities of Sodom and Gomorrah). Daniel is the first biblical figure to refer to individual angels by name. It is therefore widely speculated that Jewish interest in angels developed during the Babylonian captivity. According to Rabbi Simeon ben Lakish of Tiberias (230–270 AD), all the specific names for the angels were brought back by the Jews from Babylon.

There are no explicit references to archangels in the canonical texts of the Hebrew Bible (Old Testament). In post-Biblical Judaism, certain angels came to take on a particular significance and developed unique personalities and roles. Though these archangels were believed to have rank amongst the heavenly host, no systematic hierarchy ever developed. Metatron is considered one of the highest of the angels in Merkavah and Kabbalist mysticism and often serves as a scribe. He is briefly mentioned in the Talmud, and figures prominently in Merkavah mystical texts. Michael, who serves as a warrior and advocate for Israel (Daniel 10:13) is looked upon particularly fondly. Gabriel is mentioned in the Book of Daniel (Daniel 8:15-17) and briefly in the Talmud, as well as many Merkavah mystical texts. The earliest references to archangels are in the literature of the intertestamental periods (e.g., 4 Esdras 4:36).

Within the rabbinic tradition, the Kabbalah, and the Book of Enoch chapter 20, and the Life of Adam and Eve, the usual number of archangels given is at least seven, who are the focal angels. Three higher archangels are also commonly referenced: Michael, Raphael, and Gabriel. There is confusion about one of the following eight names, concerning which one listed is not truly an archangel. They are: Uriel, Sariel, Raguel, and Remiel (possibly the Ramiel of the Apocalypse of Baruch, said to preside over true visions), Zadkiel, Jophiel, Haniel and Chamuel. Medieval Jewish philosopher Maimonides made a Jewish angelic hierarchy.

In addition, traditional homes often sing an ode to the angels before beginning Friday night (Shabbat) dinner. It is entitled Shalom Aleichem, meaning "peace onto you" (referring to the angels as messengers of godly light, peace and love).

The New Testament speaks frequently of angels (for example, angels giving messages to Mary, Joseph, and the shepherds; angels ministering to Christ after his temptation in the wilderness, an angel visiting Christ in his agony, angels at the tomb of the risen Christ, the angels who liberate the Apostles Peter and Paul from prison); however, it makes only two references to "archangels." They are: Michael in Jude 1:9 and I Thessalonians 4:16, where the "voice of an archangel" will be heard at the return of Christ.

Eastern Orthodox Tradition mentions "thousands of archangels; however, only seven archangels are venerated by name. Uriel is included, and the other three are most often named Selaphiel, Jegudiel, and Barachiel (an eighth, Jeremiel, is sometimes included as archangel). Every Monday throughout the year is dedicated to the Angels, with special mention being made in the church hymns of Michael and Gabriel. In Orthodox iconography, each angel has a symbolic representation.

Michael in the Hebrew language means "Who is like unto God?" or "Who is equal to God?" St. Michael has been depicted from earliest Christian times as a commander, who holds in his right hand a spear with which he attacks Lucifer, Satan, and in his left hand a green palm branch. At the top of the spear there is a linen ribbon with a red cross. The Archangel Michael is especially considered to be the Guardian of the Orthodox Faith and a fighter against heresies.

Gabriel means "Man of God" or "Might of God." He is the herald of the mysteries of God, especially the Incarnation of God and all other mysteries related to it. He is depicted as follows: In his right hand, he holds a lantern with a lighted taper inside, and in his left hand, a mirror of green jasper. The mirror signifies the wisdom of God as a hidden mystery.
Raphael means "God's healing" or "God the Healer" (Tobit 3:17, 12:15). Raphael is depicted leading Tobit (who is carrying a fish caught in the Tigris) with his right hand, and holding a physician's alabaster jar in his left hand.

Uriel means "Fire of God," or "Light of God" (III Esdras 3:1, 5:20). He is depicted holding a sword against the Persians in his right hand, and a fiery flame in his left.
Sealtiel means "Intercessor of God" (III Esdras 5:16). He is depicted with his face and eyes lowered, holding his hands on his bosom in prayer.

Jegudiel means "Glorifier of God." He is depicted bearing a golden wreath in his right hand and a triple-thonged whip in his left hand.

Barachiel means "Blessing of God." He is depicted holding a white rose in his hand against his breast.

(Jeremiel means "God's exaltation." He is venerated as an inspirer and awakener of exalted thoughts that raise a person toward God (III Ezra 4:36). As an eighth, he is sometimes included as archangel.)

The edited edition of the Bible used by Protestants, which excludes the Apocrypha, never mentions a "Raphael" and he is therefore not recognized by many of them. Raphael, however, is mentioned in the Book of Tobit, one of the deuterocanonical books. In the story, Raphael comes to the aid of Tobit, healing him of blindness, and his son Tobias, driving away a demon that would have killed him. Raphael also plays an important role in the Book of Enoch.

In the canon of the Ethiopian Orthodox Church in 1 Enoch, Saraqael is described as one of the angels that watches over "the spirits that sin in the spirit." (20:7, 8)

Lucifer The fallen archangel, who aspired to rise to Godhood (Isaiah 14:14). Lucifer was cast to earth by Michael. Lucifer is known as Satan, The Serpent, The Tempter. In his Day he was "the Anointed Cherubim" (Ezekiel 28:14) and "the morning star" (Isaiah 14:12).

In Islam, the named archangels include:

Gabriel (or Jibraaiyl or Jibril or Jibrail in Arabic). Gabriel is the Archangel responsible for revealing the Qur'an to Muhammad. Gabriel is known as the angel who communicates with the Prophets.

Michael (Mikhail or Mikaaiyl in Arabic). Michael is often depicted as the Archangel of mercy who is responsible for bringing rain and thunder to Earth.

Raphael (Israfil or Israafiyl). According to the Hadith, Israfil is the Angel responsible for signaling the coming of Judgment Day by blowing a horn and sending out a Blast of Truth. It translates in Hebrew as Raphael.

Azrael, responsible for parting the soul from the body. Although he is frequently referred to as Azrael in Arabic, he is referred to as Malak al-Maut (the angel of death) in the Quran (Surah al-Sajdah 32:11).

Occultists sometimes associate archangels in Kabbalistic fashion with various seasons or elements, or even colors. In some Kabbalah-based systems of ceremonial magic, all four of the main archangels (Michael, Gabriel, Raphael and Uriel) are invoked as guarding the four quarters, or directions, and their corresponding colors are associated with magical properties.

In anthroposophy, based on teachings by Rudolf Steiner, there are many spirits belonging to the hierarchical level of archangel. In general, their task is to inspire and guard large groups of human beings, such as whole nations, peoples or ethnic groups. This reflects their rank above the angels who deal with individuals (the guardian angel) or smaller groups. The main seven archangels with the names given by Pope Saint Gregory I are Michael, Gabriel, Raphael, Uriel (or Anael), Simiel (or Samael), Oriphiel and Zachariel have a special assignment to act as a global Zeitgeist ("time spirit" or, "spirit of the times/age"), each for periods of about 380 years. According to this system, since 1879, Michael is the leading time spirit. Four important archangels also display periodic spiritual activity over the seasons: Spring is Raphael, Summer (Uriel), Autumn (Michael) and Winter is Gabriel. In anthroposophy, archangels may be good or evil; in particular, some of their rank are collaborators of Ahriman, whose purpose is to alienate humanity from the spiritual world and promote materialism and heartless technical control.

Another Catholic variation lists them corresponding to the days of the week as: St Michael (Sunday), St Gabriel (Monday), St Raphael (Tuesday), St Uriel (Wednesday), St Sealtiel/Selaphiel (Thursday), St Jehudiel/Jhudiel (Friday), and St Barachiel (Saturday).

In the lesser banishing ritual of the pentagram, the invocation includes the words "Before me Raphael; Behind me Gabriel; On my right hand Michael; On my left hand Auriel [Uriel]..."

In art, archangels are sometimes depicted with larger wings and many eyes. Some of the more commonly represented archangels are Gabriel, Michael, Raphael, Uriel, and Sataniel.

07 February 2010

The Religious Origin of Chess


The classical research about the origin of Chess concentrated on investigating written and archaeological evidence resulting in opinions about Indian, Persian, or Chinese origin of the game. Some speculations assumed military, mathematical, or divinification models as the basis for the game. Most scholars of Chess history do, however, agree that the relationships to these models showed after Chess already existed. Another idea, which was part of some theories, was the assumption that Chess, with all its present complexity, was invented by a single person.

A significant step towards the better understanding was the founding of the Initiative Group Königstein (IGK2) in 1991 and its seminars, in which the present Chess historians can present their research and opinions. Its member Gerhard Josten looked for evidence in the structure of Chess. He came up with three basic unique elements:the king, the pawns, and the officers (counters, pieces). His theory is that these elements stem from different sources and are combined into present day Chess. This was supposed to be done by either Silk Road merchants, who were waiting for better weather conditions in one of the major trading places like Kashgar in today's Southwest China, or by game enthusiasts in the Kushan Empire. The Kushans had some experience with merging elements from different cultures. Josten suggests that the king and its behavior is taken from the ancient Chinese game Go, the pawns come from Indian racing games and the officers are taken from divinification or astrological methods. I have added an alternative for the astrological roots of the officer-moves with the possibility that their moves are based on the images occurring within the game of Tic-Tac-Toe.

No matter which theory is valid, the importance of the Silk Road for spreading the game is undisputable. Forerunners and the Chinese Variation Board games are very ancient and can be traced back at least 4, 500 years to the first city of Ur and Egyptian paintings. In the 19th century AD Stewart Culin created the theory that all board games had magical or religious origin. This is not evident, for instance, in the three-dimensional Tic-Tac-Toe (Mill), for which a board was engraved by Roman soldiers on the cobble streets of Old-Jerusalem.

The Egyptian game Senet was clearly a religious game. It was a racing game played on a 10x3 board. There is also a version with 8 linear squares followed by 4x3, the "twenty-game". The exact rules of either are not known, but boards have been found together with half-flat sticks, the forerunners of dice. The names or meanings of the squares had to do with the stations of the way to the empire of the dead. There are numerous references to Senet in inscriptions and papyrus scrolls. The use of Senet as an Egyptian glyph gives an indication of its importance. According to the Nordic poem, The Edda, the Germanic gods spent their free time in their residence Asgard playing board games, but The Edda was not written down until the twelfth century AD.

A possible forerunner of Chess is an Indian game, known as Ashtapada, which means in Sanskrit a square board of 64 squares, 8 rows of 8 squares. It was played with dice and pieces, a race game possibly going back to the fifth century BC. Chinese records mention its introduction from India to China as early as 220 BC to 65 AD, roughly during the early Han Dynasty.

The likelihood of a race-game being a forerunner of Chess is preserved in the promotion of a pawn to a piece when reaching the 8th row. Hinduism prohibits gambling. The revival of Hinduism during the Gupta Dynasty led to an enforcement of this antigambling policy in the 6th century AD. This is used as an argument by some scholars for supporting the idea of an Indian origin of Chess. It is stated that the suppression of dice forced the transformation of a race game into a strategic game. When I discussed this with some Indian historians during a visit to India, I got clarification that the gambling inhibition was local and did not apply to total India.

Chinese Chess today is played on a board with 9x8 squares or 10x9 edges. The pieces, inscribed draughtsmen, are placed on the edges and not on the squares of the 9x8 field. The use of inscribed draughtsmen instead of stand-up figures means an additional level of abstraction and would therefore speak against an origin in China. However, sources suggest that originally Chinese Chess was also played with standing figures. In the middle of the 10-row field is a "river", which was added later, meaning originally that the board was 9x9, considering the edges, or 8x8 considering the squares. The number nine has a special importance in China. Ancient Chinese regarded odd numbers as being masculine and even numbers as being feminine. Nine, the largest single-digit, odd number, was taken to mean the ultimate masculine, and was symbolic for the supreme sovereignty of the emperor. It was sometimes combined with the number five to represent imperial majesty. Tiananmen Hall is 9 bays wide and 5 bays deep. The combination 9x5 also appears on the two halves of the Chinese chessboard (after inclusion of the river). The transfer to a 9x9 board from an 8x8 one, based on the imperial importance of the number 9 seems more likely to have happened than the other way around.

The oldest clearly recognizable Chess pieces have been excavated in ancient Afrasiab, today's Samarkand, in Uzbekistan. These are seven ivory pieces from 762, with some of them possibly older, meaning that they stem from the 6th to 8th century AD. It is not clear whether one of the pieces can be identified as a Queen. Otherwise, the occurrence of the 6 different pieces within a sample of seven out of the total 32 pieces is statistically surprising. The pieces today are kept in a downtown museum in Samarkand.

Some other old pieces, possibly Chess pieces, are the occasionally named Chess pieces of an elephant and a zebu bull kept in Tashkent. They were excavated in Dalverzin-Tepe, an ancient citadel of the Kushan Empire now in Southern Uzbekistan, and stem from the 2nd century. The Russian Chess history expert Linder feels that they are not Chess pieces, but belonged to a forerunner of Chess. They could mean an earlier than previously assumed existence of Chess. Second, there is a piece in the Metropolitan Museum in New York from the 6th or 7th century, bought in Baghdad around 1930, representing an elephant out of dolomite stone of 2-7/8 inch height. An ivory piece, probably a Chess piece from the 6th century, has been excavated recently at a Byzantine palace in the ancient city of Butrint in Albania. This modifies the theory that Chess was moved to the West by the Arabs in favor of Christian/Byzantine involvement.

The oldest known Chess books or parts thereof are in Arabic, written about 850 AD. Before that, there are only incidental possible references to the existence of the game in Arabic, Persian, Sanskrit, or Chinese literature, but there is no complete description of the game, nor an indication that rules had stabilized. The earliest mentions stem from around 600 AD. Chess or Chaturanga 3 have not been mentioned in an otherwise very complete travel report by the Chinese Buddhist monk Fa Xian, who traveled through India at the beginning of the 5th century AD. The total number of Persian references to Chess from around 600 is two out of a total of five works of middle-Persian secular literature which are known to have survived from that period. Very little is known about Chess in India for about half a millennium after that. It is not clear whether the Chess mentioned by the Persian sources was a game for two or for four players, whether it was played with dice, and what moves were allowed. The conclusion by Murray and Eales is that before the 7th century, the existence of Chess in any land is not demonstrable. Eales mentions that the compiler of a 12th century Chess manuscript wrote "It is universally acknowledged that three things were produced from India: the game, the book Kalila Wa Dimna (a book of literary fables) and the decimal numbers (including the Zero)."

Ann C. Gunter reports about one of the surviving texts in Middle Persian, The Explanation of Chess and Invention of Backgammon (Wizarishn i catrang ud nihishn i new-ardashir). In a said competition between the great Sassanian ruler Khusraw I, who ruled from 531 until 579, and the Indian King Dewisharm, Dewisharm sent a Chess game to Khusraw requesting that Khusraw's wise men explain the rationale of this game. The wise man Wuzurg-Mihr explained the rationale of the game and then proceeded to a challenge of his own to the Indian ruler. This supposedly was the invention of Backgammon (called nard in nard in nard the literature), and the invention of present day dice (the numbers of which correspond to cosmological principles of the then common Persian religion, Zoroastrianism). Dice were, however, already known by the ancient Egyptians and certainly not invented as late as Khusraw I's time. It has not been possible to locate Dewisharm, and to find out which of the kingdoms that existed after the fall of the Gupta Dynasty that he ruled. Sloan bases his theory about Chinese Chess origin on two Chinese poems, one stemming from the 2nd century BC. Chess is often wrongly confused with the far older Go.

The Sinologist Joseph Needham and Pavle Bidev, both part of the Initiative Group Königstein, have, based on the theory about religious roots for all board games, suggested that the historical Chess of 7th century India was directly descended from a divinatory game (or ritual)in China. Bidev suggests that Chess has its roots in the cult of the Chinese god Thai Yi. Needham has shown that there are references to an "image-game" (hsiang chhi is elephant-game or image-game) in works of the 6th century, devised by the Emperor Wu Ti (561578) from the Northern Chou-Dynasty. The emperor even gave lectures on the game to his staff. It was, however, not Chess since according to early sources it had as its pieces the sun, the moon, the stars, and the constellations, meaning that it was in all likelihood a complex astrological ritual. Interesting in Chinese Chess is the 3x3 fortress, an exact image of Tic-Tac-Toe.

There is an analogy between the Indian army and the Chess army. Chinese armies did not have elephants, or only very occasionally had a limited number in the southwestern part of the China.
The earliest Chess terms appear in Sanskrit, the Persian and Arab versions are very similar. Whyld points out the fact on the IGK website that the first Chess terms mentioned appearing in Sanskrit is not convincing. He also mentions the fact that in the story of Chess moving from India to Persia it is said to come from Hind, a name which was not used for India until after the 11th century AD.

Davidson studied the "Geography of Chess". Starting with India he finds four major radiations: A northeast radiation into China, between 800 and 1000 AD along the Silk Road;a southeast radiation into Burma and Indo-China, between 800 and 1100 AD;a westward radiation into Persia and the Arab countries, between 600 and 800 AD, reaching Spain before the 1008 battlefield will of the Count of Uregel, which directed the inheritance of his Chess-pieces;and a northward radiation into Siberia, between 1400 and 1500 AD.

Gerhard Josten from the IGK bases his "merger theory" on three elements in the structure of Chess. The element of hunt games is represented by the king, the element of divination counters for the moves by the officers and the element of race games by the pawns.

The imprisonment of the king occurs in a similar way in the Chinese territorial game Go, called Weiqi 4 in China, which means this element likely comes from China. Go is played on a 19x19 board by placing alternatively black and white pieces on the board. Horizontal and vertical connections of pieces of the same color form chains. The number of empty fields neighboring any members of a chain horizontally or vertically give the degree of freedom of the chain. A chain, including one consisting of a single piece, without any degree of freedom is taken prisoner. The situation of one piece taken prisoner could be the one which was applied to a mated king in Chess.

Josten believes that the officers have their origin in old divination techniques, but in difference to other authors he believes that the divination techniques apply only to the officers and not to the complete game of Chess. Based on the fact that the geometry of the Babylonian astrolabe allows all of the important types of moves of the Chess officers and the external kinship of the astrolabe to the Byzantine Chess board, Josten states that the Babylonian astrolabe is an adequate ideal for these pieces. Supporting the astronomical/astrological connection is the 19th century theory that all board games have religious roots. Chess has been from the beginning a game for intellectuals and astrologists were considered in ancient times part of the intellectual elite. In antiquity, the stars were looked at as either images of gods or subjects with which the gods chased around. This is the justification for astrology and possibly for an early use of the game of Chess to obtain oracles. The astrolabe constitutes an analog computation device 5, consisting of various rings movable against each other. The user found the altitude of the sun or stars by means of a graduated circle on one side of the device and then turned to the other side to perform his calculations on the movable star map, a two-dimensional representation of the three-dimensional heavens. The straight line moves occur in these operations, the knight move is a combination of both. These methods are also indicated in ancient astroglyphs from Chaldaean times.

As an alternative possibility to the divinification I offer, the game of Tic-Tac-Toe could be viewed as providing the roots for the moves of the counters. Tic-Tac-Toe is played by 2 players, e. g. Black and White, with a set of pieces of equal value each, on a 3x3 board. The players move alternatively with the goal to get three of the own pieces in one horizontal, vertical or diagonal row.

Tic-Tac-Toe was played at least 3000 years ago. It is also called "Three Mens Morris", where "morris" is a corruption of merels, the Latin word for counters. From a game-theoretic point of view, it is always a draw and is trivial. A more challenging extension was played extensively. The placing of the following piece of the same color is either vertical, horizontal, diagonal. This is similar to a knight's move in Chess. Thus all move sequences of the pieces in Chess are represented.

The pawns and their idea almost certainly come from India. Most of the ancient board games seem to have been racing games played with dice or its forerunner, sticks with one flat side, which were thrown and the number being determined by the number of resulting flat sides being up or down.

Ashtapada is an ancient Hindu race game played with dice on an 8x8 board, which later might have become the Chess-board. The method of play for Ashtapada has been forgotten. It seems logical that there has to be an incentive for succeeding in a race, which is given by the conversion of a pawn into an officer, when the pawn reaches the last row. To change a gambling game into a strategic race game requires some strategic possibilities to block or speed up the race, such as opposite pawns and the possibility to take an opposite piece by a diagonal move.

A challenge for this theory is to explain the use today, and in the total history of Chess, military names for the officers with no previous names for these pieces being known. Also in the early Arab sources the king is not imprisoned but killed.

As far as the area of origin is concerned, Josten points to the Central Asian Kushan Empire, a culture that had intensive contact with the Near East, India, and China. It would have combined various elements from games from these regions in one game. The Kushans, called "the forgotten Kushans" by some scholars, ruled from about 50 BC until about 200 AD a big empire, which included a substantial part of India, and included the excavation place where the above mentioned 2nd century AD "Chess-pieces" were found. The Kushans, having become affluent by trading on the Silk Road, were privy to cultural mergers as shown by their contemporaneous tolerance of Buddhism and Zoroastrianism, as well as their gold coins displaying Greek, Roman, Iranian, Hindu and Buddhist deities.

Josten's hypothesis about the Kushan origin from the days of the Kushan Empire would imply a lack of reports about Chess for about half a millennium before 600 AD, which might be explained as having been a maturing period. The two pieces from Dalverzin-Tepe could support the theory.
Another thought would be that Chess emerged on the Silk Road, when merchants were idly waiting for better weather conditions for travel, and playing board games. A key place of this type was Kashgar in today's far western China, which also belonged for a time to the Kushan Empire.

There are a number of books on Chess history, in particular the scholarly studies written by H. J. R. Murray and Richard Eales. The German book by H. F. Maßmann dismisses older legends about the origin of Chess, like the one that Palamedes of Euboa invented it during the 10-year siege of Troy in order to help avoid boredom among the Greek soldiers. Maßmann is of the firm opinion that Chess was invented in India and came from there via Persia and the Arabs to the West. The beginning of historical research about the origin of Chess is a 1694 publication by Thomas Hyde, De Ludis Orientalibus.

Hyde states the facts implicit in older Arab sources, leading to his conclusion that Chess originated in India and then traveled by way of Persia and the Arab world to western Europe and on the Silk Road to the East. The myths and legends before Hyde are all not historical, but all of them, except those of obvious later invention, point to Persia or India as the country of origin.

Li in "The Genealogy of Chess

Josten points to the history of the British colonialism in India. The majority of India was under the control of the East India Company in the first half of the 19th century. As a result of revolts in 1857 the Company was dissolved and India was placed under the direct control of the British Crown. In 1909 Britain granted India some self-government. Josten suggests that the researchers Thomas Hyde and H. J. R. Murray, who were active during the 19th and early 20th century found willing ears with their claim of an Indian origin of Chess.

Unfortunately, written references to Chess or its development have not been found yet from before the two Persian records of about 600 AD. It is very unlikely that Chess, almost as it is played today, suddenly came into existence, invented by one person. The idea of it being a combination of elements from other board-games has merit. Since almost all known board games have religious backgrounds the astrological component is entirely possible, even though I prefer the version that all elements come from other games, e. g. Tic-Tac-Toe, as the basis for the counters. Kushan as the area of origin is highly possible, especially because of the 2 excavated debated pieces from the second century AD, which were found in the area of the Kushan Empire.

The books are by no means closed. In my opinion, Chinese origin is the most likely one from the ones discussed. Josten's hypothesis is very intriguing but still needs some more work. The theory about India being the original country seems to hold together but will probably have to give in to another theory because of the lack of reports about follow-up within India during the next 500 years after 600 AD.

06 February 2010

Dualism of Faith, the Soul, Life, and Philosophy

Dualism denotes a state of two parts. The word's origin is the Latin duo, "two" . The term 'dualism' was originally coined to denote co-eternal binary opposition, a meaning that is preserved in metaphysical and philosophical duality discourse but has been diluted in general or common usages.

Moral dualism is the belief of the great conflict (in eastern and naturalistic religions) or conflict (in western religions) between the "benevolent" and the "malignant". Most religious systems have some form of moral dualism - in western religions, for instance, a conflict between good and evil.

Like ditheism/bitheism, moral dualism does not imply the absence of monist or monotheistic principles. Moral dualism simply implies that there are two moral opposites at work, independent of any interpretation of what might be "moral" and - unlike ditheism/bitheism - independent of how these may be represented.

For example, Mazdaism (Mazdaen Zoroastrianism) is both dualistic and monotheistic (but not monist) since in that philosophy God—the Creator—is purely good, and the antithesis—which is also uncreated—is an absolute one. Zurvanism (Zurvanite Zoroastrianism), Manichaeism and Mandaeism, are representative of dualistic and monist philosophies since each has a supreme and transcendental First Principle from which the two equal-but-opposite entities then emanate. This is also true for the lesser-known Christian gnostic religions, such as Bogomils, Catharism, etc. More complex forms of monist dualism also exist, for instance in Hermeticism, where Nous "thought" - that is described to have created man - brings forth both good and evil, depending on whether it receives prompting from God or from the demons.

In theology, 'dualism' may also refer to 'bitheism', 'duotheism' or 'ditheism'. Although ditheism/bitheism imply moral dualism, they are not equivalent: ditheism/bitheism implies (at least) two gods, while moral dualism does not imply any -theism (theos = god) whatsoever.

Both 'bitheism' and 'ditheism' imply a belief in two equally powerful gods with complementary or antonymous properties. However, while bitheism implies harmony, ditheism implies rivalry and opposition, such as between Good and Evil. For example, a ditheistic system would be one in which one god is creative, the other is destructive (cf. theodicy). In a bitheistic system, one god could be male and the other female (cf. duotheism). However, bitheistic and ditheistic principles are not always so easily contrastable, for instance in a system where one god is the representative of summer and drought and the other of winter and rain/fertility (cf. the mythology of Persephone). Marcionism, an early Christian sect, held that the Old and New Testaments were the work of two opposing gods: both were First Principles, but of different religions.

Alternatively, dualism can mean the tendency of humans to perceive and understand the world as being divided into two overarching categories. However that definition is considered a tad controversial. In this sense, it is dualistic when one perceives a tree as a thing separate from everything surrounding it, or when one perceives a "self" that is distinct from the rest of the world. In traditions such as classical Hinduism, Zen Buddhism or Islamic Sufism, a key to enlightenment is "transcending" this sort of dualistic thinking, without merely substituting dualism with monism or pluralism.

The opposition and combination of the universe's two basic principles of yin and yang is a large part of Taoist religion. Some of the common associations with yang and yin, respectively, are: male and female, light and dark, active and passive, motion and stillness. The Tai-Chi in actuality has very little to do with Western dualism; instead it represents the philosophy of balance, where two opposites co-exist in harmony and are able to transmute into each other. The Taoist religion with its dualistic concept of yin and yang is related to the religions that are both dualistic and monotheistic such as Mazdaism in the sense that the underlying force of nature, the Way, or Tao, is the First Principle which manifests itself through the dual properties of the yin and yang. In the yin-yang symbol there is a dot of yin in yang and a dot of yang in yin. This symbolizes the inter-connectedness of the opposite forces as different aspects of Tao, the First Principle. Contrast is needed to create a distinguishable reality, without which we would experience nothingness. Therefore, the independent principles of yin and yang are actually dependent on one another for each other's distinguishable existence. The complementary dualistic concept in Taoism represents the reciprocal interaction throughout nature, related to a feedback loop, where opposing forces do not exchange in opposition but instead exchange reciprocally to promote stabilization similar to homeostasis. An underlying principle in Taoism states that within every independent entity lies a part of its opposite. Within sickness lies health and vice versa. This is because all opposites are manifestations of the single Tao, and are therefore not independent from one another, but rather a variation of the same unifying force throughout all of nature.

The complementary aspects of masculinity and femininity are revered by certain Neo-pagan religions as well.

During the classical era of Buddhist philosophy in India, philosophers such as Dharmakirti argue for a dualism between states of consciousness and Buddhist atoms (the basic building blocks that make up reality), according to "the standard interpretation" of Dharmakirti's Buddhist metaphysics. Typically in Western philosophy, dualism is considered to be a dualism between mind (nonphysical) and brain (physical), which ultimately involves mind interacting with the physical brain, and therefore also interacting with the micro-particles (basic building blocks) that make up the brain tissue. Buddhist dualism, in Dharmakirti’s sense, is different in that it is not a dualism between the mind and brain, but rather between states of consciousness (nonphysical) and basic building blocks (according to the Buddhist atomism of Dharmakirti, Buddhist atoms are also nonphysical: they are unstructured points of energy). Like so many Buddhists from 600-1000 CE, Dharmakirti’s philosophy involved mereological nihilism, meaning that other than states of consciousness, the only things that exist are momentary quantum particles, much like the particles of quantum physics (quarks, electrons, etc.).

In some cultures, people (or also other beings) are believed to have two (or more) kinds of soul. In several cases, one of these souls is associated with body functions (and is sometimes thought to disappear after death), and the other one is able to leave the body (e.g. a shaman's free-soul may be held to be able to undertake a spirit journey). The plethora of soul types may be even more complex.

Correctly distinguishing between Self (Spirit/Consciousness Purusha) and Matter/Nature (Prakrti) is of central importance to Samkhya Philosophy. Samkhya Philosophy elaborates that although Prakriti originates from Purusha, there is a fundamental dualism between spirit and phenomena that is presented to such Selves by Matter/Nature. Such phenomena of Matter/Nature includes reflections of the intellect, the faculty that makes things personal (the I-Maker/Ahamkara), the instinctual mind (manas), the capacities to perceive sense data, the capacities to act, the principles of the elements of sense perception, and the gross elements. These arise when Prakriti is in the presence of a Purusha, and they become enmeshed and entangled when there is mis-identification between Prakriti and Purusha. False confusion between the Self and what is not the Self is considered the fundamental ignorance that perpetuates bondage in this world. Liberation is sought by becoming aware of such distinctions on a very deep level of personal knowledge, so that one may eventually use the great faculty of the mind—intellectual reflection (Buddhi/Mahat) -- without mistakenly identifying it with the Purusha, and then the effects of such entanglement will unravel and one will no longer be bound by incarnations or confused by Prakriti.

The Vedanta philosophy is divided into Dvaita (dualistic) and Advaita (non-dualistic) monism. Neither propose dualism in consciousness and matter. While Dvaita philosophy recognizes the differences between Jiva and Ishvara, Advaita philosophy looks at everything as Brahman which has three fundamental attributes sat-cit-ānanda (Truth-Consciousness-Bliss). Advaita vedanta insists that the experiential personal realization of unity of everything must be achieved. Until a person achieves such realization, Advaita Vedanta uses the Samkhya dualism of consciousness and matter for describing the world. Dvaita, on the other hand, rejects the notion of equating Atman with Paramatman as they are different entities. Dvaita holds that upon Mukti, one enjoys the same quantity of bliss as sat-cit-ānanda but one can never be equal to Brahman.

The Discordian religion has two competing forces that rely on each other: Order and Chaos. These two are further separated, falling into either constructive or destructive versions of Order and Chaos. This is illustrated by the Discordian Hodge Podge (also Sacred Chao), a symbol that is similar in design to the Taoist yin yang.

05 February 2010

Origin beliefs - Limits to the Ontology of Creation?

While many scenarios are proposed by religion and science to identify 'first cause' and the origin of creation (ontology), there are some fundamental limits to the knowledge of humankind that present a barrier to finding any definitive answer.

Post-modern philosophy currently holds that there is nothing that one can know for certain. Kant put a good case to show that because we view the universe through the lens of the mind, which is 'shaped' by space, time, and the things embedded in space and time, it is not possible to see things-in-themselves (noumena) - the real objects that lie behind the subjective objects (phenomena) we recognise. If true, it is beyond the mind of humankind to perceive a condition that has no space or time. Many other philosophers, most recently Popper have all shown that there is precious little one can be sure of that would provide a starting point to determine the 'first cause' that led to creation.

Modern physics is an empirical science based on experiment and observation that characterizes how things happen through scientific theories and physical laws, but ultimately does not answer the question of 'why' things happen at the foundational (ontological) level. For example, the existence of the Big Bang is not predicated on a reason for its occurrence. What's more, the modern physics breaks down at the Planck time/Planck length, where both the influences of quantum mechanics and gravity are required to be combined in order to characterize the interactions that occur. As such, there is no model available that has been tested at this level, and so any attempt to theoretically probe beyond this regime in search of a more fundamental appreciation of the nature of the universe is hampered.

Religion has philosophy and oral testimony available to it to demonstrate a God or a separate "first cause" that called the universe into existence. As such it is dependent on faith in God or the specific "first cause" to which it ascribes.

Origin belief - Creation within various belief systems

Some creation beliefs are part of a named system of beliefs and are labeled as such below. Some creation beliefs seem to be better characterized according to time and/or place as they are part of a human culture in a time/place.

Origin belief - Babylonia
The Babylonian creation myth is described in Enûma Elish. It existed in various versions and copies, the oldest dating to at least 1700 B.C.E.

In the poem, the god Marduk arms himself and sets out to challenge the monster Tiamat. Marduk destroys Tiamat, cutting her into two halves which become the Earth and the sky. Later on, he also destroys Tiamat's husband, Kingu, and uses his blood to create mankind.

Origin belief - Buddhism
Buddhism generally ignores the question regarding the origin of life. The Buddha regarding the origin of life has said "Conjecture about [the origin, etc., of] the world is an unconjecturable that is not to be conjectured about, that would bring madness & vexation to anyone who conjectured about it." AN IV.77, and in regard to ignoring the question of the origin of life the Buddha has said "And why are they undeclared by me? Because they are not connected with the goal, are not fundamental to the holy life. They do not lead to disenchantment, dispassion, cessation, calming, direct knowledge, self-awakening, Unbinding. That's why they are undeclared by me." MN 63.

Origin belief - China
Version 1: Tao is described as the ultimate force behind the creation. With tao, nothingness gave rise to existence, existence gave rise to yin and yang, and yin and yang gave rise to everything. But it could, like its antithesis, be explained in a way to better fit the modern scientific view of the creation of universe.

Version 2: Pangu. This was an explanation offered by Taoist monks hundreds of years after Lao Zi; probably around 200 CE. In this story, the universe begins as a cosmic egg. A god named Pangu, born inside the egg, broke it into two halves: The upper half became the sky, the lower half became the earth. As the god grew taller, the sky and the earth grew thicker and were separated further. Finally the god died and his body parts became different parts of the earth.

Origin belief - Christianity
According to the book of Genesis, God eternally pre-existed the created order. As Genesis' first recorded act in reference to the world we know today, "God created" (Gen. 1:1). All the created order, from the luminaries of the sky to the fish of the sea, to the mingling of dust and divine breath that is humankind (Heb. adam, covering both male and female humankind), were created by God to embrace and enjoy the optimal living environment that is earth. Man and woman were made to reflect God's authority, love and good government into the world as stewards, and to offer up the praises of creation back to God.

Unique in all the created order, humanity, male and female, are the sole bearers of the imago Dei, the image (Heb. tselem - as in a child in the image of a parent) of God among animate and inanimate creation. As image-bearers, human beings have a mandate to walk in community with God, community and care for one another, and as caretakers of this good world. Resisting the invitation to the "We" of community with God and one another, human beings chose to live in the "I" of individualism and self-actualization.

At this point in the Genesis origins narrative, human beings became, as Francis Shaeffer put it, "indisputably bent." This self-made isolation moves the human soul toward self-preservation and self-absorption. This "falling into shadow," has unleashed destructive patterns within and without the human race, and the need for a redemptive adam to choose to live a human life in community with God, thereby reversing the effects of the fall, was exposed.

In Christian belief, Jesus, the Christ of God, was the new adam sent to us "at the fullness of time." Humanity's search to return to the Eden of our origin will culminate in a new and amplified Eden in the age to come, manifest in a new heaven and a new earth.

References to God in the New Testament vary, however, overall they demonstrate an incorporation of the first cause. It should be noted, however, that the Chrisitian conception of God, the holy trinity, is more complex. The following examples illustrate this:

Revelation 1:8 - I am the Alpha and the Omega, the beginning and the end... that which is, which has been, and that which is yet to come, Almighty God.

John 1:1-4 - In the beginning was the Word, and the Word was with God, and the Word was God. The same was in the beginning with God. All things were made by him; and without him was not any thing made that was made. In him was life; and the life was the light of men.


Origin belief - The Church of Jesus Christ of Latter-day Saints
Followers of The Church of Jesus Christ of Latter Day Saints believe that physical reality (space, matter and/or energy) is eternal, and therefore does not have an absolute origin. The Creator is an architect and organizer of pre-mortal matter and energy, who constructed the present universe out of the raw material.

Origin belief - Creek
The Creek believe that the world was originally entirely underwater. The only land was a hill, called Nunne Chaha, and on the hill was a house, wherein lived Esaugetuh Emissee ("master of breath"). He created humanity from the clay on the hill.

Origin belief - Egyptian
Image:Nun.gif There were at least three separate cosmogenies in Egyptian mythology, corresponding to at least three separate groups of worshippers.

The Ennead, in which Atum arose from the primordial waters (Neith), and masturbated to relieve his loneliness. His semen and breath became Tefnut (moisture) and Shu (dryness), respectively. From Shu and Tefnut, were born Geb (earth), and Nuit (sky), who were born in a state of permanent copulation. Shu separated them, and their children were Ausare (Osiris; death), Set (desert), Aset (Isis; life), and Nebet Het (Nephthys; fertile land). Osiris and Isis were a couple, as were Nepthys and Set.

The Ogdoad, in which Ra arose, either in an egg, or a blue lotus, as a result of the creative interaction between the primordial forces of Nu/Naunet (water), Amun/Amunet (air), Kuk/Kauket (darkness), and Huh/Hauhet (eternity). Ra then created Hathor, his wife, with whom they had a son, Hor (Horus; in the form known as Horus the Elder), who was married to Isis. This cosmogeny also includes Anupu (Anubis) as lord of the dead, amongst others.

The third group, for whom Ptah was eternal and everlasting, and he spake the world and all the gods into existence, in a similar manner to Judao-Christian belief about their concept of God.
Over time, the rival groups gradually merged, Ra and Atum were identified as the same god, making Atum's mysterious creation actually due to the Ogdoad, and Ra having the children Shu and Tefnut, etc. In consequence, Anubis was identified as a son of Osiris, as was Horus. Amun's role was later thought much greater, and for a time, he became chief god, although he eventually became considered a manifestation of Ra.

For a time, Ra and Horus were identified as one another, and when the Aten monotheism was unsuccessfully introduced, it was Ra-Horus who was thought of as the Aten, and the consequent cosmogony this inspired. Later, Osiris' cult became more popular, and he became the main god, being identified as a form of Ptah. Eventually, all the gods were thought of as aspects of Osiris, Isis, Horus, or Set (who was by now a villain), indeed, Horus and Osiris had started to become thought of as the same god. Ptah eventually was identified as Osiris.

Origin belief - Classical Greece
Plato, in his dialogue Timaeus, describes a creation myth involving a being called the demiurge.

Hesiod, in his Theogony, says that Chaos existed in the beginning, and then gave birth to Gaia (the Earth), Tartarus (the Underworld), Eros (desire), Nyx (the darkness of the night) and Erebus (the darkness of the Underworld). Gaia brought forth Ouranos, the starry sky, her equal, to cover her, the hills, and the fruitless deep of the Sea, Pontus, "without sweet union of love," out of her own self. But afterwards, Hesiod tells, she lay with Heaven and bore the World-Ocean Oceanus, Coeus and Crius and the Titans Hyperion and Iapetus, Theia and Rhea, Themis and Mnemosyne and Phoebe of the golden crown and lovely Tethys. "After them was born Cronos the wily, youngest and most terrible of her children, and he hated his lusty sire." Cronos, at Gaia's urging, castrates Ouranos. He marries Rhea who bears him Hestia, Demeter, Hera, Hades, Poseidon, and Zeus. Zeus and his brothers overthrow Cronos and the other Titans, then draw lots to determine what each of them will rule. Zeus draws heaven, Poseidon draws sea, and Hades draws earth.

Origin belief - Hinduism
The Mahaa-Vishnu, into whom all the innumerable universes enter and from whom they come forth again simply by His breathing process, is a plenary expansion of Krishna. Therefore I worship Govinda, Krishna, the cause of all causes. (Brahma-samhitaa 5.48)

In Hindu philosophy, the existence of the universe is governed by the Trimurti of Brahma (the Creator), Vishnu (the Sustainer) and Shiva (the Destroyer). The sequence of Avatars of Vishnu- the Dasavatara (Sanskrit: Dasa—ten,Avatara—incarnation) is generally accepted by most Hindus today as correlating well with Darwin's theory of evolution, the first Avatar generating from the environment of water.

Hindus thus do not see much conflict between creation and evolution. An additional reason for this could also be the Hindu concept of cyclic time, such as yugas, or days of Brahma in approximately 4.3 billion year cycles (unlike the concept of linear time in many other religions). In fact, time is represented as Kaala Chakra — the Wheel of Time.

In Hinduism, nature and all of God's creations are manifestations of Him. He is within and without his creations, pervading the entire universe and also observing it externally. Hence all animals and humans have a divine element in them that is covered by the ignorance and illusions of material or profane existence.

Origin belief - Hopi
The Elders say that the first Hopi had chosen to live in the barren desert so that they would always need to pray for rain. Thus, they would not lose faith in their ceremonies, which maintain their bond with the Mother Nature and Creator. They said that the True Hopi people represent the Red race through the authority vested in them by the Creator, Maasaw.

Origin belief - Hmong
According to Hmong tradition, a long time ago the rivers and ocean covered the Earth. A brother and sister were locked in a yellow wooden drum. The Sky People looked out and saw the Earth. Everything was dead. Only a yellow wooden drum was left on the water.

"Punch holes in the Earth so the water will drain away," said the King above the Sky.

The water went down. Finally, the drum bumped against the ground. The brother and sister came out of the drum and looked around. Everything was dead.

"Where are the people?" asked the sister.

But the brother had an idea. "All the people on Earth are gone. Marry me, we can have children."

"I can't marry you, we are brother and sister."

But he asked her again and again and she said, "No."

Finally the brother said, "Let's carry the grindstones up the hill and roll them into the valley. If the stones land on top of each other, then you shall marry me."

The sister rolled her stone and then, as soon as the brother rolled his stone he ran as fast as he could down the hill and stacked the stones on top of each other.

When the sister saw the stones she cried. Finally she said, "I will marry you, because it was meant to be."

A year later the wife gave birth to a baby, but the baby was not a real baby. It had no arms or legs. It was just round like a pumpkin. The husband cut it up and threw the pieces away. One piece fell on the garden and it became the "Vang" clan because "Vang" sounds like the word for "garden" in Hmong. One piece fell on the goat house. Some pieces fell on the leaves and grass and they became the other Hmong clans. The Nhia, Mhoua, Pao, Ho, Xiong, Vue, and so on.

The next morning the village was full of houses. Everyone came to the husband and wife and said, "Mother and father, come have breakfast with us."

The husband said to his wife, "I asked you to marry me because all the people on Earth were dead. Now these people are our family -- our sons and daughters."

Origin belief - Inca
The Incan account of creation is known based on what was recorded by priests, from the iconography on Incan pottery and architecture, and the myths and legends which survived amongst the native peoples. According to these accounts, in the most ancient of times the earth was covered in darkness. Then, out of a lake called Collasuyu (modern Titicaca), the god Con Tiqui Viracocha emerged, bringing some human beings with him. Then Con Tiqui created the sun (Inti), the moon and the stars to light the world. It is from Inti that the Sapa Inca, emperor of Tawantinsuyu, is descended. Out of great rocks Con Tiqui fashioned more human beings, including women who were already pregnant. Then he sent these people off into every comer of the world. He kept a male and female with him at Cuzco, the "navel of the world."

Con, the Creator; was in the form of a man without bones. He filled the earth with good things to supply the needs of the first humans. The people, however, forgot Con's goodness to them and rebelled. So he punished them by stopping the rainfall. The miserable people were forced to work hard, drawing what little water they could find from stinking, drying riverbeds. Then a new god, Pachacamac, came and drove Con out, changing his people into monkeys. Pachachamac then took earth and made the ancestors of human beings..

The founder of the first dynasty of the kingdom of Cuzco was Manco Capac. In one legend he was brought up from the depths of Lake Titicaca by the sun god Inti. In another he was the son of Tici Viracocha. However commoners were not allowed to speak the name of Viracocha, which is possibly an explanation for the need for two foundation legends.

In one myth Manco Capac was the brother of Pachacamac, both were sons of the sun god Inti who is also known as Apu Punchau. Manco Capac himself was worshiped as a fire and sun god. According to the Inti legend, Manco Capac and his siblings were sent up to the earth by the sun god and emerged from the cave of Pacaritambo carrying a golden staff, called ‘tapac-yauri’. They were instructed to create a Temple of the Sun in the spot where the staff sank into the earth, they traveled to Cusco via underground caves, and built a temple in honor of the sun god Inti, their father. During the journey to Cuzco, one of Manco’s brothers, and possibly one of his sisters, were turned to stone (huaca). In another version of this legend, instead of emerging from a cave in Cuzco, the siblings instead emerged from the waters of Lake Titicaca.

In the Tici Virachocha legend, Manco Capac was the son of Tici Viracocha of Pacari-Tampu (today Pacaritambo, 25 km south of Cuzco). He and his brothers (Ayar Anca, Ayar Cachi and Ayar Uchu) and sisters (Mama Ocllo, Mama Huaco, Mama Raua and Mama Cura) lived near Cuzco at Paccari-Tampu, and united their people and ten ayllu they encountered in their travels to conquer the tribes of the Cuzco Valley. This legend also incorporates the golden staff, which is thought to have been given to Manco Capac by his father. Accounts vary, but according to some versions of the legend, the young Manco jealously betrayed his older brothers, killed them, and became the sole ruler of Cuzco.

Origin belief - Islam
In Islam all creation is attributed to Allah (the proper name for God in Arabic), the one and only God for Muslims. He is clearly identified as the "first cause" at numerous places in the Qur'an. Three instances follow:

(13:16) … Say: Allah is the Creator of all things, and He is the One, the Supreme

(57:3) … He is the First and the Last and the Manifest and the Hidden, and He is Knower of all things

(112:1) … Say: He, Allah, is One

(112:2) … Allah is He on Whom all depend


Referring to the first cause argument the Qur'an addresses the non-believers:

(52:35) … Or were they created without a (creative) agency? Or are they the creators?

(52:36) … Or did they create the heavens and the earth? Nay, they are sure of nothing
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Origin belief - Japan
The god Izanagi and goddess Izanami churned the ocean with a spear to make a small island of curdled salt. Two deities went down to the island, mixed there, and bore main islands, deities, and forefathers of Japan. See Japanese mythology#Creation of the world.

Origin belief - Jainism
This universe has not been created by God; but has been revealed by him. He does not create this universe.. he does not rule it; does not govern it; and does not direct it and "the creation is such". God surely reveals to us the real nature and form of the universe. Seeing with his divine eyes, he reveals the essential and real form of the universe. The Tirthankar Bhagwant has said: The world is without a beginning. It has no beginning. It has no end. This creation is boundless being devoid of a beginning and an end. But it is present in the flow and flux of time. The universe sometimes grows small. Creation and destruction; production and disposal are always going on. Behind this eternal process there does not exist anyone's planning or organization. The whole universe is a self-regulated one. But in this organization, Karma plays an important role. In this process the effect of Karma is emphatically evident.

Origin belief - Judaism
The notion of "Tzimtzum", or God's retraction to make way for space and time, is a core element to the Jewish approach to the First Cause notion.

Origin belief - Maya
The Maya of Mesoamerica creation story is recounted in the book "Popol Vuh". In the beginning there is only sky and sea, personified as a trinity of gods called Heart-of-Sky. They decide that they want someone to praise them. They begin by saying "Earth", which appears on demand from the sea. This is followed by mountains and trees, and Heart-of-Sky establish that "our work is going well". Next for creation are the creatures of the forest: birds, deer, jaguars and snakes. They are told to multiply and scatter, and then to speak and "pray to us". But the animals just squawk and howl. They are consequently humbled and will become servants to whoever will worship Heart-of-Sky. So Heart-of-Sky try to make some more respectful creatures from mud. But the results are not great, and they allow the new race to be washed away. They call upon their grandparents, who suggest wood as an appropriate medium. But the wooden people are just mindless robots, so Heart-of Sky set about the destruction of this new race by means of a rain-storm. This causes the animals to turn against the wooden people; even their pots and querns rebel, and crush the peoples' faces. The wooden people escape to the forests and are turned into monkeys. Heart-of-Sky then make yet another attempt at creating a suitably respectful race, and finally succeed by fashioning humans out of maize-corn dough.

Origin belief - Māori
The Māori creation myth tells how heaven and earth were once joined as Ranginui, the Sky Father, and Papatuanuku, the Earth Mother, lay together in a tight embrace. They had many children who lived in the darkness between them. The children wished to live in the light and so separated their unwilling parents. Ranginui and Papatuanuku continue to grieve for each other to this day. Rangi's tears fall as rain towards Papatuanuku to show how much he loves her. When mist rises from the forests, these are Papa's sighs as the warmth of her body yearns for him and continues to nurture mankind.

Origin belief - Navajo
In the beginning there were Holy People, supernatural and sacred, who lived below ground in four lower worlds. A great flood underground forced the Holy People to crawl to the surface of the earth through a hollow reed, where they re-created the world each time they entered a new one. In the later worlds, Changing Woman gave birth to the Hero Twins, called "Monster Slayer" and "Child of the Waters" who had many adventures in which they helped to rid the world of much evil. Earth Surface People, mortals, were created in the fourth world, and First Man and First Woman were formed from ears of white and yellow corn. The gods gave them ceremonies, which are still practiced today.

Origin belief - Norse
Odin and his brothers used Ymir's body to create the universe. This universe comprises of nine worlds. They placed the body over the void called Ginnungagap. They used his flesh for creating the earth and his blood for the sea. His skull, held up by four dwarves (Nordri North, Sudri South, Austri East, and Vestri West), was used to create the heaven. Then using sparks from Muspelheim, the gods created the sun, moon and stars. While Ymir's eyebrows were used to create a place where the human race could live in; a place called Midgard. The first humans, Ask and Embla, were created from logs.

Origin belief - Polynesian
Forever has always existed. So has Darkness, and so, too, the Sea. Soaring over the endless sea, The Old Spider fond a giant clam and opened it and crawled inside. It was totally dark, and cramped inside but she found a snail, whom she asked to open the shell a bit so she could have more room.

The snail obliged. Then the Old Spider took the snail and placed it in the west and made it into the Moon, shedding some light into the darkness. With the help of another snail, The Old Spider pushed very hard on the top of the shell, raising it up, and it became the Sky, called Rangi.
With great effort, the Old Spider then pushed down on the lower part of the clam shell, and it widened and became the earth. The earth was called Papa, or Mother Earth. This basic myth of creation is told roughout Oceania, from two different points of view: One, a supreme deity (Po or Io) creates everything; in the other, a mythical entity (the Old Spider) or a goddess (Lukelong) creates the heavens and then the earth.

Origin belief - Hawaii
The Kumulipo, the source of life, is an ancient Hawaiian mele oli, or chant, consisting of over 2000 lines. The ancient Hawaiian kahunas, or priests, would memorize every word and recite the oli at important events such as the festival of the god Lono. This is the oli that tells of the origin of the Hawaiian people.

"At the time when the earth became hot, when the heavens turned inside out, when the light of the sun was weakened causing the moon to shine, the time of the rise of the Pleiades, the time of night darkness, the realm of Gods, the time of Po...

The slime was the source of the earth, the source of deep darkness, the source of the darkness born of darkness, the depth of darkness, darkness of the sun, darkness of the night. Nothing but darkness.

The night gave birth. Born in this night was Kumulipo, the source of life - male. Born was Po`ele, night blackness - female... "

Night followed night and born to the darkness were the eternal spirits. This was the beginning of the earth...

Born were the plants...born were the fishes of the sea and the animals that swam the air. Born were the creeping things, the birds and the crawlers...

Still it was night. For such was the time of Po, where it was still dark. Tranquil was the time as night pressed...

"It was calmness then when the wombs gave birth. So was born the ancestor of the race and well formed was the child. The first chief of the dim past who dwelt in the cold uplands. This was the time when men multiplied, when men came from afar, born of woman, of man and of gods. They were born in the hundreds and in ever increasing numbers. It was the time of Ao. It was day."


Origin belief - Randomness
Some philosophers like Hakim Bey and occultists like Peter Carroll think randomness, chaos or the Uncertainty principle is the prime mover according to science, and should accordingly be treated as divine.

Origin belief - Sami
The Sami creation myth, directly related to their harsh environment, tells the story of a monstrous giant named Biegolmai, the Wind Man. In the beginning of time, Biegolmai created the Sapmi region by taking two huge shovels, one to whip up the wind and the other to drop such huge amounts of snow that no one could live there. One day, however, one of Biegolmai's shovels broke, the wind died down, and the Sami were able to enter Sapmi.

Origin belief - Surat Shabda Yoga
Surat Shabda Yoga cosmology depicts the whole of creation (the macrocosm) as being emanated and arranged in a spiritually differentiated hierarchy, often referred to as eggs, regions, or planes. Typically, eight spiritual levels are described above the physical plane, although names and subdivisions within these levels will vary to some extent by mission and Master. (One version of the creation from a Surat Shabda Yoga perspective is depicted at the Sant Ajaib Singh Ji Memorial Site in “The Grand Scheme of All Creation”.) All planes below the purely spiritual regions are subject to cycles of creation and dissolution (pralya) or grand dissolution (maha pralya).

The constitution of the individual (the microcosm) is an exact replica of the macrocosm. Consequently, the microcosm consists of a number of bodies, each one suited to interact with its corresponding plane or region in the macrocosm. These bodies developed over the yugas through involution (emanating from higher planes to lower planes) and evolution (returning from lower planes to higher planes), including by karma and reincarnation in various states of consciousness.

Origin belief - Taoism
Tao is the namelss void, the mother of the Ten Thousand Things. Tao is considered by Lao Tzu to be that which eternally gives without being depleted, and eternally receives without being filled. That which does not exist for its own sake is able to endure.

Origin belief - Zen
Everything and nothing are all interconnected, inseparable, a whole. Zen denies that the person is the first cause. If it speaks of origins at all, it says that the ground of being is the real first cause.

Origin belief - Zoroastrianism
The Zoroastrianism story of creation has Ahura Mazda creating 16 lands, one by one, such that each would be delightful to its people. As he finished each one, Angra Mainyu applied a counter-creation, introducing plague and sin of various kinds.

04 February 2010

卐 Swastika! 卍

Historically, the swastika became a sacred symbol in Shamanism, Hinduism, Buddhism, Jainism and Mithraism, religions with a total of more than a billion adherents worldwide, making the swastika ubiquitous in both historical and contemporary society. The symbol was introduced to Southeast Asia by Hindu kings and remains an integral part of Balinese Hinduism to this day, and it is a common sight in Indonesia.

The symbol rose to importance in Buddhism during the Mauryan Empire and in Hinduism with the decline of Buddhism in India during the Gupta Empire. With the spread of Buddhism, the Buddhist swastika reached Tibet and China. The use of the swastika by the indigenous Bön faith of Tibet, as well as syncretic religions, such as Cao Dai of Vietnam and Falun Gong of China, is thought to be borrowed from Buddhism as well.

In Hinduism, the two symbols represent the two forms of the creator god Brahma: facing right it represents the evolution of the universe (Devanagari: प्रवृत्ति, Pravritti), facing left it represents the involution of the universe (Devanagari: निवृत्ति, Nivritti). It is also seen as pointing in all four directions (north, east, south and west) and thus signifies grounded stability. Its use as a Sun symbol can first be seen in its representation of the god Surya (Devanagari: सूर्य, Sun). The swastika is considered extremely holy and auspicious by all Hindus, and is regularly used to decorate items related to Hindu culture. It is used in all Hindu yantras (Devanagari: यंत्र) and religious designs. Throughout the subcontinent of India, it can be seen on the sides of temples, religious scriptures, gift items, and letterheads. The Hindu deity Ganesh (Devanagari: गणेश) is often shown sitting on a lotus flower on a bed of swastikas.
The swastika is found all over Hindu temples, signs, altars, pictures and iconography where it is sacred. It is used in Hindu weddings, festivals, ceremonies, houses and doorways, clothing and jewelry, motor transport and even decorations on food items such as cakes and pastries. Among the Hindus of Bengal, it is common to see the name "swastika" (Bengali: স্বস্তিক sbastik) applied to a slightly different symbol, which has the same significance as the common swastika, and both symbols are used as auspicious signs. This symbol looks something like a stick figure of a human being. In the Bhavishyapuran (a book describing future events and history), it is a weapon of a snake king (dragon), Takshak.

The Aum symbol is also sacred in Hinduism. While Aum is representative of a single primordial tone of creation, the Swastika is a pure geometrical mark and has no syllabic tone associated with it. The Swastika is one of the 108 symbols of Hindu deity Vishnu and represents the sun's rays, upon which life depends.
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Buddhism originated in India in the 5th century BC and inherited the manji or swastika. Also known as a "yung drung" in ancient Tibet, it was a graphical representation of eternity. Today the symbol is used in Buddhist art and scripture and represents dharma, universal harmony, and the balance of opposites. One can see swastika on the Pillars of Ashoka where the swastika is a symbol of the cosmic dance around a fixed center and guards against evil.

The paired swastika symbols are included, at least since the Liao Dynasty, as part of the Chinese language, the symbolic sign for the character 萬 or 万 (wàn in Mandarin, man in Korean, Cantonese and Japanese, vạn in Vietnamese) meaning "all" or "eternality" (lit. myriad) and as 卐, which is seldom used. Swastika marks the beginning of many Buddhist scriptures. The swastika (in either orientation) appears on the chest of some statues of Gautama Buddha and is often incised on the soles of the feet of the Buddha in statuary. Because of the association of the right-facing swastika with Nazism, Buddhist swastika (outside India only) after the mid-20th century are almost universally left-facing: 卍. This form of the swastika is often found on Chinese food packaging to signify that the product is vegetarian and can be consumed by strict Buddhists. It is often sewn into the collars of Chinese children's clothing to protect them from evil spirits.

In 1922, the Chinese Syncretist movement Daoyuan founded the philanthropic association Red Swastika Society in imitation of the Red Cross. The association was very active in China during the 1920s and the 1930s.

Jainism gives even more prominence to the swastika than does Hinduism. It is a symbol of the seventh Jina (Saint), the Tirthankara Suparsva. In the Svetambar (Devanagari: श्वेताम्बर) Jain tradition, it is also one of the symbols of the ashta-mangalas (Devanagari: अष्ट मंगल). It is considered to be one of the 24 auspicious marks and the emblem of the seventh arhat of the present age. All Jain temples and holy books must contain the swastika and ceremonies typically begin and end with creating a swastika mark several times with rice around the altar.

Jains use rice to make a swastika (also known as "Sathiyo" in the state of Gujarat, India) in front of idols in a temple. Jains then put an offering on this swastika, usually a ripe or dried fruit, a sweet (Hindi: मिठाई, Mithai), or a coin or currency note. In 2001, India issued a 100-rupee coin to commemorate the 2600th anniversary of the birth of Mahavir (Devanagari: महावीर), the 24th and last Jainist Tirthankara - the design includes a swastika.

A swastika crossed by two arrows, within a shield and surmounted by a royal crown on an orange background was used as the coat of arms of the samurai Hasekura Tsunenaga in the early 17th century.

Some sources indicate that the Chinese Empress Wu (武則天) (684–704) of the Tang Dynasty decreed that the swastika would be used as an alternative symbol of the sun. As part of the Chinese script, the swastika has Unicode encodings U+534D 卍 (pronunciation following the Chinese character "萬": pinyin:wàn); (left-facing) and U+5350 卐 (right-facing).

The Mandarin "Wan" is a homophone for "10,000" and is commonly used to represent the whole of creation, e.g. 'the myriad things' in the Dao De Jing.

In Japan, the swastika is called manji. Since the Middle Ages, it has been used as a family coat of arms. On Japanese maps, a swastika (left-facing and horizontal) is used to mark the location of a Buddhist temple. The right-facing manji is often referred as the gyaku manji (逆卍, lit. "reverse manji"), and can also be called kagi jūji, literally "hook cross".

In Chinese and Japanese art, the swastika is often found as part of a repeating pattern. One common pattern, called sayagata in Japanese, comprises left and right facing swastikas joined by lines. As the negative space between the lines has a distinctive shape, the sayagata pattern is sometimes called the "key fret" motif in English.

The swastika shape was also present in pre-Christian Slavic mythology. It was dedicated to the sun god Svarog (Belarusian, Russian and Ukrainian Сварог) and called kolovrat, (Slovenian kolovrat, Croatian kolovrat, Polish kołowrót, Belarusian колаўрат, Russian and Ukrainian коловрат or коловорот, Serbian коловрат/kolovrat) or swarzyca.

In Christianity, the swastika is used as a hooked version of the Christian Cross, the symbol of Christ's victory over death. Some Christian churches built in the Romanesque and Gothic eras are decorated with swastikas, carrying over earlier Roman designs. Swastikas are prominently displayed in a mosaic in the St. Sophia church of Kiev, Ukraine dating from the 12th century. They also appear as a repeating ornamental motif on a tomb in the Basilica of St. Ambrose in Milan. A proposed direct link between it and a swastika floor mosaic in the Cathedral of Our Lady of Amiens, which was built on top of a pagan site at Amiens, France in the 1200s, is considered unlikely. The stole worn by a priest in the 1445 painting of the Seven Sacraments by Roger van der Weyden presents the swastika form simply as one way of depicting the cross. Swastikas also appear on the vestments on the effigy of Bishop William Edington (d. 1366) in Winchester Cathedral.

An unusual swastika, composed of the Hebrew letters Aleph and Resh, appears in the 18th century Kabbalistic work "Parashat Eliezer" by Rabbi Eliezer Fischl of Strizhov, a commentary on the obscure ancient eschatological book "Karnayim", ascribed to Rabbi Aharon of Kardina. The symbol is enclosed by a circle and surrounded by a cyclic hymn in Aramaic. The hymn, which refers explicitly to the power of the Sun, as well as the shape of the symbol, shows strong solar symbolism. According to the book, this mandala-like symbol is meant to help a mystic to contemplate on the cyclic nature and structure of the Universe. The letters are the initial and final characters of the Hebrew word, אוֹר, or "light".

The swastika shape was used by some Native Americans. It has been found in excavations of Mississippian-era sites in the Ohio valley. It was widely used by many southwestern tribes, most notably the Navajo. Among various tribes, the swastika carried different meanings. To the Hopi it represented the wandering Hopi clan; to the Navajo it was one symbol for a whirling log (tsil no'oli'), a sacred image representing a legend that was used in healing rituals. A brightly colored First Nations saddle featuring swastika designs is on display at the Royal Saskatchewan Museum in Canada.

A swastika shape is a symbol in the culture of the Kuna people of Kuna Yala, Panama. In Kuna tradition, it symbolizes the octopus that created the world; its tentacles, pointing to the four cardinal points.

The swastika has been and still is an important symbol in Mongolian culture, meaning eternity. It may be found in many places including monasteries.

The Theosophical Society uses a swastika as part of its seal, along with an Aum, a hexagram, a star of David, an Ankh and an Ouroboros. Unlike the much more recent Raëlian movement, the Theosophical Society symbol has been free from controversy, and the seal is still used. The current seal also includes the text "There is no religion higher than truth."

The Raëlian Movement, who believe that Extra-Terrestrials originally created all life on earth, use a symbol that is often the source of considerable controversy: an interlaced star of David and a swastika. The Raelians state that the Star of David represents infinity in space whereas the swastika represents infinity in time i.e. there being no beginning and no end in time, and everything being cyclic.

The Tantra-based new religious movement Ananda Marga (Devanagari: आनन्द मार्ग, meaning Path of Bliss) uses a motif similar to the Raëlians, but in their case the apparent star of David is defined as intersecting triangles with no specific reference to Jewish culture.

According to Ananda Marga: "External or physical service acted out through the motor organs is symbolised by the triangle pointing upwards. Internal or spiritual service done through channelizing of mental energy to the mantra is symbolized by the triangle pointing downwards... Attaining that state of oneness with the Generator, Operator and Destroyer of this universe is symbolised by the swastika which means victory."

The Falun Gong qigong movement uses a symbol that features a large swastika surrounded by four smaller (and rounded) ones, interspersed with yin-and-yang symbols. The usage is taken from traditional Chinese symbolism, and here alludes to a chakra-like portion of the esoteric human anatomy, located in the stomach.

The Odinic Rite of Neo-Paganism claims the "fylfot" as a "holy symbol of Odinism," citing the pre-Christian Germanic use of the symbol.

03 February 2010

Feast Day of Saint Nicholas of Japan

Saint Nicholas, Equal-to-the-Apostles, Archbishop of Japan, born Ivan Dimitrovich Kasatkin (Russian: Иван Дмитриевич Касаткин; August 13 [O.S. August 1] 1836 - February 16, 1912) was a Russian Orthodox priest, monk, and saint. He introduced the Eastern Orthodox Church to Japan[1]. The Orthodox cathedral of Tokyo (metropolitan diocese of Japan), Tokyo Resurrection Cathedral, was informally named after him as Nikorai-do, first by the local community, and today nationwide, in remembrance of his work.

Nicholas was born in the Smolensk prefecture to Dimitry Kasatkin, a Russian Orthodox deacon. His mother died when he was five years old. He grew up in the church hierarchy: in 1857 he entered the Theological Academy in Saint Petersburg. On July 7, 1860 (July 19 in the Gregorian calendar), he became a monk and chose the name of Nicholas. Nicholas was ordained a deacon on July 12 (July 24) in the same year, on the feast day of Saints Peter and Paul. He was ordained a priest the next day, on the feast day of the Holy Apostles, the commemoration day of the Academy's Chapel of the Holy Apostles.

On July 2, 1861, Nicholas landed at Hakodate, Hokkaidō, Japan, as a priest attached to the chapel of the Russian consulate in Hakodate. He had volunteered for the appointment to this duty, attracted since the day he noticed a poster calling for a priest for this chapel when he was a seminary student. After he arrived at the consulate, he studied Japanese and quickly gained mastery of the language.

While at the consulate chapel, he converted three Japanese. Later, he moved to Tokyo, and began an extensive missionary effort. He bought property on a height in Kanda Surugadai for his headquarters which later became the site of the see of the Archbishop of Japan. Under his leadership, more than 250 communities were formed, and churches were built.

Nicholas was consecrated bishop on March 30, 1880, as Bishop of Revel, auxiliary to the Archdiocese of Riga. While Nicholas never visited the city, the parish of Revel supported his Japanese mission financially. In the Eastern Orthodox Church tradition, bishops sign with their parish, but Nicholas made his habit to sign as "Episcop (Bishop) Nicholai", without mentioning Revel. He was elevated to the dignity of Archbishop of All Japan by the Russian Holy Synod on April 6, 1907.

During the Russo-Japanese War, Nicholas stayed in Japan. Those days were very difficult for him. His love for the land of his birth, Russia, conflicted with his duty as the bishop of Japan to support his faithful and to pray for the Japanese Emperor and the Imperial Army and Navy: in the Orthodox liturgy at that time, priests must explicitly have prayed not only benediction on the sovereign and his army, but also defeat of his enemy in the intercession. Nicholas therefore did not participate in any public services during the war; instead, he encouraged his Japanese faithful to both pray for and to contribute to the Army and Navy Some encouraged him to go back to Russia, but he refused and worked eagerly for Japanese faithful and Russian captives. In a letter on the conditions of a camp in Hamadera, Osaka, Nicholas wrote of his astonishment at the Russians soldiers' illiteracy: nine of ten captives could not read. Nicholas sent priests and teachers to camps to educate and care for the captives. His attitude and manners impressed not only the Orthodox faithful but also non-Christians.

Even Emperor Meiji was impressed with his character, especially his Christian and diplomatic efforts between the Russian Imperial Household and the Japanese government. When the Russian Tsar Nicholas II was the Tsarevich under Alexander III, the young Nicholas II visited Japan and was injured during the Ōtsu Incident by a Japanese policeman. Bishop Nicholas made a great effort to resolve this incident.

Nicholas's study of Japanese was fruitful, allowing him to translate all liturgy books and many parts of the Bible including the whole of the New Testament and Psalms, most of the Book of Genesis and the Book of Isaiah with help from a Japanese Christian and scholar Nakai Tsugumaro who ran a kanbun private school Kaitokudo in Osaka. His translations are still used in the liturgy of Japanese Orthodox Church. Being fond of church singing, Kasatkin made a significant contribution in introducing this art to the Japanese.

He wrote a diary in Russian for years, recording the pastoral life of early Orthodox Church of Japan as well as his thought and observation of Meiji era Japan. His diary was believed to have been burned and lost in Great Kanto Earthquake but rediscovered by Kennosuke Nakamura, a Russian literary researcher, and published in 2004 as Dnevniki Sviatogo Nikolaia Iaponskogo (5 vols. St. Petersburg: Giperion, 2004). Nakamura translated the whole diary into Japanese and published with his commentary in 2007.

Nikolai was the first saint of the Japanese Orthodox Church. After his death, his body was buried in Tokyo Metropolitan Yanaka Cemetery, near Ueno. In 1970, he was canonized as 'Equal-to-the-Apostles, Archbishop of Japan, St. Nicholas'. His feast day is February 3, February 16 old-style. The Russian Orthodox Church and the Japanese Orthodox Church celebrate this feast nationwide on the old-style date.

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